The Wall: the Unaccounted Tragedies.

As pre­vi­ously stated by George Orwell, war is peace. So when Wal­ter Ulbricht, the Leader of the Ger­man Social­ist Unity Party, on June 15, 1961 said: “No one has the inten­tion of build­ing the wall!”, it took only about two months for the con­struc­tion to begin. The run­down state of the East­ern part was forc­ing peo­ple to flee in the search of bet­ter lives in the West of Ger­many: in the first six months of the year 1961, about 150 000 peo­ple left their houses. How­ever, more stayed — and so the Wall did not only sep­a­rate the city — it cut fam­i­lies in halves.

1 500x333 The Wall: the Unaccounted Tragedies.

On the morn­ing of August 13, 1961 the Berlini­ans woke up to the first layer of bricks being erected.

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Mriya The Plane: The Biggest Dream

005 500x363 Mriya The Plane: The Biggest Dream

The super­plane car­ry­ing a Buran.

In 1984 the big coun­try needed a big plane. Antonov Design Bureau was entrusted with devel­op­ing of a plane for large-sized cargo trans­porta­tion. A six-motor super heavy tur­bo­jet plane An-225 «Mriya» («dream» in Ukran­ian) became the prod­uct of the design­ers’ four-year work. The air­craft, which will cel­e­brate it’s twenty years anniver­sary of its first test flight, still remains the absolute cham­pion in terms of load-carrying capacity.

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Glass Negatives circa 1928

Chem­i­cal pho­tog­ra­phy as we know it today was not invented in a day — one of the stages in devel­op­ing was the glass neg­a­tives pho­tog­ra­phy, when the   glass plates were cov­ered with a pro­tein emul­sion — invented in 1841, the process was clunky and dif­fi­cult to repro­duce. Those images can now be iden­ti­fied by the uneven coat of emul­sion, rough edges, thick glass and maybe even photographer’s thumbprint on it.

All in all, below are the 20+ images from the glass neg­a­tives — the shots of Soviet coun­try­side life, shot around 1928. Peo­ple, har­vests, views, tools — what­ever the pho­tog­ra­phy afi­cionado encoun­tered.  Con­sid­er­ing that this is pre-film, the spirit of these pho­tos is mind blow­ing. We hope you’ll share our excitement.

111 375x500 Glass Negatives circa 1928

A fash­ion­ista.

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