Calendar of 1964: Us and Them.

An old cal­en­dar of 1964 pic­tur­ing a set of remark­able cit­i­zens of the world: a Soviet per­son next to its Amer­i­can coun­ter­part. Sadly there is no anno­ta­tion left to fig­ure what the mes­sage was — infor­ma­tive, pro­pa­gan­dist or other, so the faces below are torn out of con­text. But it is still nice to have a look at some Soviet artist’s work.

It would have been a brief post, so we thought we’d include the major achieve­ments of these great men.

001w26gh1 370x500 Calendar of 1964: Us and Them.

Movie Pro­duc­ers: Sergey Eisen­stein & David W Grifith

Con­tinue read­ing

Sherlock Holmes VS USSR: 1 Nil.

My iPad has really got me read­ing recently. On iBooks almost all of clas­sic lit­er­a­ture is free, so I am read­ing a book by Arthur Conan Doyle  — The Adven­tures of Sher­lock Holmes: The Man with the Twisted Lip. There was a pas­sage that struck me as remark­able (or, as Conan Doyle would put it, rather singular):

One night — it was in June 1889 — there came a ring to my bell. … We heard the door open, a few hur­ried words, and then quick steps upon the linoleum. Our door flew open, and a lady, clad in some dark-coloured stuff, with a black veil, entered the room.

120742 max 500x397 Sherlock Holmes VS USSR: 1 Nil.

The Soviet movie illus­tra­tion of this book. 1979. Vasily Livanov as Sher­lock Holmes and Vitaly Solomin as Dr Watson.

Really. In June 1881, just like that, Sher­lock had linoleum, which was noth­ing extra­or­di­nary at the time — given he was pre­sumed to some­what strug­gle finan­cially, and thus his need to share a flat. In the USSR — and this is the point I am mak­ing now — linoleum was one of the high­est sought-after prod­ucts until at least early 1980. I wouldn’t believe it myself, but I remem­ber how excited my Mum was when in 199o we man­aged to “secure” some of this pre­cious mate­r­ial to floor the kitchen in our apartment.

What was the price of those space explo­ration pro­grammes if linoleum was a scarce com­mod­ity at least for a cen­tury after it became wide­spread in the rot­ten, cap­i­tal­is­tic West? You feel my pain?